Androgynous Modernity

Decoding the Visual Politics of Exploitation and Empowerment of Black Femininity through the Lens of Grace Jones By Riah Bent - Stedford

Mark Christian, An African-|Centered Perspective on White Supremacy, Journal of Black Studies, Vol. 33, No. 2, 13th Cheikh Anta Diop Conference Selected Proceedings (Nov., 2002), pp. 179-198 Published by: Sage Publications, Inc.

George Shepperson, Pan-Africanism and “Pan-Africanism”: Some Historical Notes, Phylon (1960-), Vol. 23, No. 4 (4th Qtr., 1962), pp. 346-358, Clark Atlanta University

Timothy S.Chin, Caribbean Migration and the Construction of a Black Diaspora Identity in Paule Marshall’s Brown Girl, Brownstones, NWIG: New West Indian Guide 2006, Vol. 80, No. 1/2 (2006), pp. 63-81, Brill on behalf of the KITLV, Royal Netherlands Institute of Southeast Asian and Caribbean Studies

Stuart Hall, Cultural Identity and Diaspora, 1990, Duke University Press

Monique Fowler-Paul Growing Pains: Gender and the Legacy of black British Art, 2007, University fo London