Johnson, Sargent Claude. (1933). Forever Free [Paint and wood]. San Francisco Museum of Modern Art, San Francisco, California, United States.

Johnson, Sargent Claude. (1933). Forever Free [Paint and wood]. San Francisco Museum of Modern Art, San Francisco, California, United States.

Forrester, Denzil. (1983). Detail of Pappy Show [Oil on linen]. Stephen Friedman Gallery, London, United Kingdom.

Forrester, Denzil. (1983). Detail of Pappy Show [Oil on linen]. Stephen Friedman Gallery, London, United Kingdom.

SHAKA Gene Pearson

SHAKA Gene Pearson

Jamaica Sun Gene Pearson

Jamaica Sun Gene Pearson

Gene Pearson – Mother (1992), bronze, Aaron and Marjorie Matalon Collection, NGJ

Gene Pearson – Mother (1992), bronze, Aaron and Marjorie Matalon Collection, NGJ

Gene Pearson – Sculptured Pot (1987), Collection: NGJ

Gene Pearson – Sculptured Pot (1987), Collection: NGJ

Himid, Lubaina. (2025). Man in a Magic Drawer [Charcoal and acrylic on found wood]. Hollybush Gardens, Clerkenwell, London, United Kingdom.

Himid, Lubaina. (2025). Man in a Magic Drawer [Charcoal and acrylic on found wood]. Hollybush Gardens, Clerkenwell, London, United Kingdom.

Johnson, Sargent Claude. (1935). Head of a Negro Woman [Terracotta]. San Francisco Museum of Modern Art, San Francisco, California, United States.

Johnson, Sargent Claude. (1935). Head of a Negro Woman [Terracotta]. San Francisco Museum of Modern Art, San Francisco, California, United States.

Gene Pearson Untitled, ca. 1990s

Gene Pearson Untitled, ca. 1990s

Bumpy Head Gal - Gene Pearson

Bumpy Head Gal - Gene Pearson

Constant, Myrlande. (ca. 1990s). Danbhalah Hwéd et Aïdah Wédo [Sequins, foam, textile, and beads]. Collection of Nancy Josephson.

Constant, Myrlande. (ca. 1990s). Danbhalah Hwéd et Aïdah Wédo [Sequins, foam, textile, and beads]. Collection of Nancy Josephson.

Rowe, Nellie Mae. (1980). Green and Black Hen [Mixed media on paper]. Works on Paper Collection, Art & Artifacts Division, Schomburg Center for Research in Black Culture, New York, New York, United States.

Rowe, Nellie Mae. (1980). Green and Black Hen [Mixed media on paper]. Works on Paper Collection, Art & Artifacts Division, Schomburg Center for Research in Black Culture, New York, New York, United States.

Edna Manley - Paul Bogle (1965), Photograph: Amador Packer

Edna Manley - Paul Bogle (1965), Photograph: Amador Packer

Edna Manley, Negro Aroused (bronze cast), 1982, 78 cm high (The David Boxer/Oynx Foundation Collection National Gallery of Jamaica, Kingston)

Edna Manley, Negro Aroused (bronze cast), 1982, 78 cm high (The David Boxer/Oynx Foundation Collection National Gallery of Jamaica, Kingston)

Ted Williams – Mahogany Form – Bass Solo (c 2006)

Ted Williams – Mahogany Form – Bass Solo (c 2006)

David Miller Jnr – Head, 1958

David Miller Jnr – Head, 1958

William “Woody” Joseph – Group of standing figures (1980s, various collections) National Gallery of Jamaica

William “Woody” Joseph – Group of standing figures (1980s, various collections) National Gallery of Jamaica

Mallica ‘Kapo’ Reynolds – All Women Are Five Women (c1965, Larry Wirth Collection, NGJ)

Mallica ‘Kapo’ Reynolds – All Women Are Five Women (c1965, Larry Wirth Collection, NGJ)

Mallica “Kapo” Reynolds – The Flame (1971), Larry Wirth Collection, NGJ

Mallica “Kapo” Reynolds – The Flame (1971), Larry Wirth Collection, NGJ

ALVIN MARRIOTT (1902 - 1992) Untitled (Head of a Man)

ALVIN MARRIOTT (1902 - 1992) Untitled (Head of a Man)

Alvin Marriott – Banana Man (1955), Collection: NGJ

Alvin Marriott – Banana Man (1955), Collection: NGJ

Mallica “Kapo” Reynolds – Father Abraham (c1955), Larry Wirth Collection, NGJ

Mallica “Kapo” Reynolds – Father Abraham (c1955), Larry Wirth Collection, NGJ

Alvin Marriott - Boysie 1962

Alvin Marriott - Boysie 1962

Alvin Marriott – Banana Cutter, 1955

Alvin Marriott – Banana Cutter, 1955

Untitled.

Untitled.

Roy Lawrence – Market Scene, 1972

Roy Lawrence – Market Scene, 1972

Edna Manely – Negro Aroused, 1982

Edna Manely – Negro Aroused, 1982

Christopher Gonzales – Man Arisen (1966)

Christopher Gonzales – Man Arisen (1966)

Ronald Moody – Tacet (1938)

Ronald Moody – Tacet (1938)

David Miller Snr – Talisman c 1940

David Miller Snr – Talisman c 1940

Namba Roy – Accompong Madonna (c1958)

Namba Roy – Accompong Madonna (c1958)

7'' Jamaican Woman Face, Wooden Statue

7'' Jamaican Woman Face, Wooden Statue

Jamaican Folk Art Sculpture of Three Faces

Jamaican Folk Art Sculpture of Three Faces

Himid, Lubaina. (2025). Repair Jobs [Acrylic and charcoal on linen]. Hollybush Gardens, Clerkenwell, London, United Kingdom.

Himid, Lubaina. (2025). Repair Jobs [Acrylic and charcoal on linen]. Hollybush Gardens, Clerkenwell, London, United Kingdom.

Constant, Myrlande. (Undated). Drapeau vaudou pour le Marasa Guinin [Thread, sequins, pearls, and satin]. The Art Institute of Chicago, Chicago, Illinois, United States.

Constant, Myrlande. (Undated). Drapeau vaudou pour le Marasa Guinin [Thread, sequins, pearls, and satin]. The Art Institute of Chicago, Chicago, Illinois, United States.

Rowe, Nellie Mae. (ca. 1970s). Untitled (Voting) [Color photograph, crayon, pencil, and colored pencil on cardboard]. Estate of Nellie Mae Rowe/ Artists Rights Society (ARS), New York, New York, United States.

Rowe, Nellie Mae. (ca. 1970s). Untitled (Voting) [Color photograph, crayon, pencil, and colored pencil on cardboard]. Estate of Nellie Mae Rowe/ Artists Rights Society (ARS), New York, New York, United States.

Camara, Seyni Awa. (2019). Untitled (Janus) [Terracotta]. Magnin-A, Paris and White Cube, London, United Kingdom.

Camara, Seyni Awa. (2019). Untitled (Janus) [Terracotta]. Magnin-A, Paris and White Cube, London, United Kingdom.

Nhlengethwa, Sam. (2018). Winnie waiting for Madibe [Mixed media on canvas].

Nhlengethwa, Sam. (2018). Winnie waiting for Madibe [Mixed media on canvas].

Camara, Seyni Awa . (2019). detail of Untitled (Janus) [Terracotta]. Magnin-A, Paris and White Cube, London, United Kingdom.

Camara, Seyni Awa . (2019). detail of Untitled (Janus) [Terracotta]. Magnin-A, Paris and White Cube, London, United Kingdom.

Eve - Edna Manley (1900–1987) Sheffield Museums- Graves Gallery

Eve - Edna Manley (1900–1987) Sheffield Museums- Graves Gallery

Sanofa Gene Pearson

Sanofa Gene Pearson

Nhlengethwa, Sam. (2003). The Jazz Festival [Oil and collage on canvas].

Nhlengethwa, Sam. (2003). The Jazz Festival [Oil and collage on canvas].

McNish, Althea. (ca. 1960s). Orina [Screen-printed on cotton]. Designed by Althea McNish for Danasco. William Morris Gallery, Walthamstow, London, United Kingdom.

McNish, Althea. (ca. 1960s). Orina [Screen-printed on cotton]. Designed by Althea McNish for Danasco. William Morris Gallery, Walthamstow, London, United Kingdom.

acts of tenderness (2024) - digital collage. - Baaba Andrews

acts of tenderness (2024) - digital collage. - Baaba Andrews

a fugitive act of wonder (2023) -, mixed media collage. - Baaba Andrews

a fugitive act of wonder (2023) -, mixed media collage. - Baaba Andrews

my time is your home (2024) - digital collage.- Baaba Andrews

my time is your home (2024) - digital collage.- Baaba Andrews

to my feelings (2022) - analogue collage.- Baaba Andrews

to my feelings (2022) - analogue collage.- Baaba Andrews

for y(our) loved ones (2025) - digital collage. - Baaba Andrews

for y(our) loved ones (2025) - digital collage. - Baaba Andrews

into something that shines (2024) - digital collage. - Baaba Andrews

into something that shines (2024) - digital collage. - Baaba Andrews

Chris Ofili, Ovid-Actaeon, 2011–12, oil and charcoal on linen, 125″ x 78″. ©CHRIS OFILI/COURTESY THE ARTIST, DAVID ZWIRNER, NEW YORK AND LONDON, AND VICTORIA MIRO, LONDON/ COLLECTION OF ROBERT AND ANNE-CECILIE SPEYER, NEW YORK

Chris Ofili, Ovid-Actaeon, 2011–12, oil and charcoal on linen, 125″ x 78″. ©CHRIS OFILI/COURTESY THE ARTIST, DAVID ZWIRNER, NEW YORK AND LONDON, AND VICTORIA MIRO, LONDON/ COLLECTION OF ROBERT AND ANNE-CECILIE SPEYER, NEW YORK

Untitled (Afronude), 2007 The Studio Museum in Harlem; gift of Chris Ofili - AFROCO

Untitled (Afronude), 2007 The Studio Museum in Harlem; gift of Chris Ofili - AFROCO

Tam Joseph Born in Dominica – came to London in 1955 Sheffield Museums

Tam Joseph Born in Dominica – came to London in 1955 Sheffield Museums

“Timespan” by Tam Joseph ~ photo by Amanda Flynn

“Timespan” by Tam Joseph ~ photo by Amanda Flynn

Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce

Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce

Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce

Sonia Boyce, From Tarzan to Rambo... detail 1987 © Sonia Boyce

Sonia Boyce From Tarzan to Rambo... 1987, detail © Sonia Boyce

Sonia Boyce From Tarzan to Rambo... 1987, detail © Sonia Boyce

Simone Leigh, Loophole of Retreat (detail), 2019. Concrete blocks and sound, 6 min. 44 sec., dimensions variable. Courtesy the artist and Luhring Augustine, New York.

Simone Leigh, Loophole of Retreat (detail), 2019. Concrete blocks and sound, 6 min. 44 sec., dimensions variable. Courtesy the artist and Luhring Augustine, New York.

Simone Leigh, Jug, 2019. Bronze, 84 1/2 x 49 1/2 x 48 3/4 inches. Courtesy the artist and Luhring Augustine, New York. Photo: David Heald © 2019 The Solomon R. Guggenheim Foundation.

Simone Leigh, Jug, 2019. Bronze, 84 1/2 x 49 1/2 x 48 3/4 inches. Courtesy the artist and Luhring Augustine, New York. Photo: David Heald © 2019 The Solomon R. Guggenheim Foundation.

Zizipho Poswa, Hathor, Kemet, 2022, glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)

Zizipho Poswa, Hathor, Kemet, 2022, glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)

Zizipho Poswa, Songhai, Gao, 2022
, glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)

Zizipho Poswa, Songhai, Gao, 2022
, glazed earthenware, bronze (Image credit: Hayden Phipps and Southern Guild)

Sonia Boyce’s Missionary Position I, pastel on paper, 1985, 77.5 x 103 cm (30 1/2 x 40 1/2”)

Sonia Boyce’s Missionary Position I, pastel on paper, 1985, 77.5 x 103 cm (30 1/2 x 40 1/2”)

Untitled, 1986, signed and dated (on the underside), burnished terracotta, height 32cm. Photo © Sotheby's

Untitled, 1986, signed and dated (on the underside), burnished terracotta, height 32cm. Photo © Sotheby's

Magdalene Odundo’s hand-building method Photo: Stephen Brayne Right: The artist's smoothing method © Ben Boswell

Magdalene Odundo’s hand-building method Photo: Stephen Brayne Right: The artist's smoothing method © Ben Boswell

Kahlil Joseph, 'BLKNWS,' 2018; 2-channel broadcast, Installation view at the Cantor Arts Center. (Courtesy of Cantor Arts Center)

Kahlil Joseph, 'BLKNWS,' 2018; 2-channel broadcast, Installation view at the Cantor Arts Center. (Courtesy of Cantor Arts Center)

Kahlil Joseph: BLKNWS 58th Venice Biennale – May You Live in Interesting Times May 11 – November 24, 2019

Kahlil Joseph: BLKNWS 58th Venice Biennale – May You Live in Interesting Times May 11 – November 24, 2019

Edna Manley, Negro Aroused, 1935, mahogany wood, 63.5 cm high (National Gallery of Jamaica, Kingston) © the artist’s estate

Edna Manley, Negro Aroused, 1935, mahogany wood, 63.5 cm high (National Gallery of Jamaica, Kingston) © the artist’s estate

Edna Manley, Beadseller, 1922, bronze (National Gallery of Jamaica, Kingston) © the artist’s estate

Edna Manley, Beadseller, 1922, bronze (National Gallery of Jamaica, Kingston) © the artist’s estate

Edna Manley, Negro Aroused, 1935, mahogany wood, 63.5 cm high (National Gallery of Jamaica, Kingston) © the artist’s estate

Edna Manley, Negro Aroused, 1935, mahogany wood, 63.5 cm high (National Gallery of Jamaica, Kingston) © the artist’s estate